The Colors Of The Rainb…oboe
The Colors Of The Rainb…oboe (Yeah. Wow, that’s bad.) If you’re an American oboist, chances are you play a Loree, have at some point played a Loree, or have at least been told “You know, you should really buy a Loree.” For a very long time, this was good advice…the universe of the oboe maker was a very small one (quantum, really), and much like getting your coffee at Starbucks, if you bought a Loree you had a very good idea of what you were getting, and you were probably going to like it. (After all, they’ve been making oboes since 1881!) I won’t go into great detail about the history of Francois Loree and his oboes, because there are five million other places you can look online and read about it; and frankly, they probably do a better job of it than I would. My point is simply that for most of the 20th century, if you played the oboe, and you played the oboe with any remote degree of seriousness, your option in fine oboes was Loree. Toward the middle of the 20th cen