A Divine International Reform-ation...or, How I Learned To Stop Worrying And Love The Buffet: Part II
While the last entry was devoted entirely to the Buffet Divine, this one will cover the remaining two instruments referenced in the title, the Peter Eaton “International” and the Wurlitzer Reform-Boehm model 187. (It turns out I had a lot more to say about the Divine than I thought I did!) One of the most wonderful things about what I do for a living is that because I travel so extensively, I am frequently able to try out instruments that I never, ever would get my hands on otherwise. My recent trip to Japan provided me with several opportunities to try out instruments on my gearhead bucket list, and one of those instruments was the Wurlitzer Reform-Boehm clarinet. The Wurlitzer clarinet is absolutely LEGENDARY in the clarinet world, and has been the de facto instrument of choice for German clarinetists for generations. I have been fortunate enough to try out two different sets of Wurlitzer Oehler system clarinets over the last decade or so, and the reputation is well deserv